FUNDAMENTALS OF CONSERVATION AND MANAGEMENT OF CULTURAL HERITAGE II

The course aims to deal with the issues related to the conservation and protection of the tangible and intangible cultural heritage, following the events of the history of the performing arts in the widest possible meaning. The nature of the general arts and performing arts requires specific knowledges and skills for the study of materials and archive documents.
The object of analysis is represented by methods, examples, historic contexts and traditions, territories and spaces, perspectives and problems, technical solutions, contingencies and events which linked theatres, archives, libraries, study centers, theatre companies, collectors and artists involved in the realization of a show and afterward in the collection of documents and creation of exhibitions or museums dedicated to the performing arts.

Teacher led lessons will take place with the support of power point presentations and documentaries, also in Mooodle.
Within the limits of the course organization a visit to an archive, a museum and if possible an exhibition or collection will be arranged.

No prerequisite is required.

The approach to the methodological study is complex. During the course, after an introduction on the general concepts and terminology, different readings of the objects taken into consideration will be offered giving instruments for analysis and international examples along with critical thoughts.
It is a wide and varied territory to be explored not yet known whose profound suggestion is related to the need to enhance and transmit the knowledge and the memory of the performing arts as an essential part of our cultural heritage.

L. Solima, 'Management per l'impresa culturale', Carocci 2018
P. Bertolone, M.I. Biggi, D. Gavrilovich, 'Performing Arts Museum and Exhibitions', Roma, 2015
'The General Conference of the United Nations Educational, Scientific and Cultural Organisation meeting in Paris', October 2003, Convention for the Safeguarding of the Intangible Cultural Heritage, 2003.
M. V. Marini Chiarelli, 'Il museo nel mondo contemporaneo', Roma, 2011.
ADUIT, 'Il patrimonio teatrale come bene culturale', a cura di L. Trezzini, Roma, 1991.
'Spectacle and Display', ed. D. Cherry and F. Cullen, Oxford, 2008.
'Visioni e oltre. Multisensorialità, accessibilità e nuove tecnologie al museo', a cura di F. Caruso, Grosseto, 2011.
'Performing Arts Museum', Book LLC, Wiki series, Mehphis 2011.
'Performing Arts Collections and Their Treatments', ed. N. Leclercq, K. Davis, M.T. Jovinnelli, Bruxelles, 2012.
'Opera ad Arte/Arte all’Opera', a cura di L. Valente, Napoli 2011.
'The Austrian Theater Museum and its Collections,' ed. C. Muhelegger, Wien, 2000.
M. F. Christout, 'Les catalogues d’expositions: Une sourse souvent originale et unique de documentations et de références pour les arts du spectacle', Barcelona, 1980.
'Vestimenti antichi e contemporanei. Scheda VeAC e Lemmario-Strumenti di catalogazione per la conoscenza e la tutela di un Patrimonio', a cura di G. Butazzi, G. Damiani, E. Giffi, T.Schoenholzer, MiBAC, Roma, 2010.

The examination will be written.
Who likes can write a text, after having agreed with professor.
It will be a parto of the examination.

Teacher led lessons will take place with the support of power point presentations and documentaries, also in Mooodle.
Within the limits of the course organization, will be in programme visits to archive, museum and if possible an exhibition or collection will be arranged.

written

This subject deals with topics related to the macro-area "Human capital, health, education" and contributes to the achievement of one or more goals of U. N. Agenda for Sustainable Development