CRITICAL THINKING

This course is designed to reflect on the figure of the public intellectual. Does the public intellectual exist? If so, who is this figure? Where can we spot him/her in the present? How has this figure emerged in the past? Why? Where can we spot him/her in the present? In our course, we will take on these and related questions. At the same time, we will use these questions to illuminate an exciting period in American cultural, literary, and political history, the time spanning from the mid-twentieth century on. This is the time when the city of New York emerged as the new center for artistic avant-gardes and as a cultural and creative hub, with the great figures of European Jewish refugees like Hannah Arendt and Susan Taubes, and innovative voices like Susan Sontag’s (1933-2004), among many others.
Before we get to this exciting historical period and, from there, onto the present, we will frame our course by singling out a couple of models of public intellectual whose influence is not only cross-temporal but also universal. In the prelude of our course we’ll be looking at Antigone and St. Paul (Paul of Tarsus) as models of what Julia Kristeva in our time would call the “dissident” intellectual. We’ll see how both Antigone and Paul have been actualized by contemporary thinkers across the disciplines (Judith Butler and Alain Badiou) and we will draw from the encounter with these two cross-temporal figures some of the theoretical tools for our inquiry. Pasolini’s own version of St. Paul in his fascinating screenplay (never made into a movie) will provide a historical bridge to the mid-twentieth century New York (in Pasolini’s own actualization St. Paul dies in New York), a center of intellectual and creative life, home to great women thinkers and Jewish refugees.

In line with the aims of the Program in International Comparative Relations, in this course students develop a mastery of written and oral communication in English, read texts of increasing complexity, practice critical reflection and learn to produce an academic paper using the convention of the international academic community.

Upon successful completion of the course, students will be able to:

(knowledge and understanding)
• encounter, interpret, and appreciate the work of American thinkers and develop an affirmative understanding of the critical attitude
• understand reading, writing, and thinking as interconnected activities
• recognize the distinctive aims and features academic critical writing
• grasp and develop connections among different authors, and understand their contribution to a scholarly conversation

(knowledge application and problem solving)
• identify an important issue or a question independently
• engage in all stages of independent library research, research an issue or a question by working in the library, navigating library databases, identifying relevant scholarship, and assessing its quality
• apply and develop knowledge of the conventions of academic writing, ranging from structure and paragraphing to tone and mechanics, and be aware of these conventions

(handling complexity and formulating judgements)

• map the scholarly conversation around a controversial or important issue
• produce academic texts of increasing length, and entering the scholarly conversation around a controversial or important issue, articulating a position and making an argument supported by evidence
• develop a sophisticated awareness of context and audience


(communication skills)
• summarize, paraphrase complex texts, grasping their arguments and relaying them to an audience of peers and for the purposes of responding to them in writing
• participate in a debate presenting a position and offering a contribution
• actively engage in peer-to-peer collaboration in discussing texts, orchestrating a public debate, offering feedback to the work of others

(learning skills)
• master argumentative skills
• summarize, paraphrase, and quote from sources using the MLA documentation style
• revise for style and edit for features such as syntax, grammar, punctuation, and spelling
• take notes
• compile a bibliography of relevant sources
• formulate a research proposal

A B2 level of competences in English

Proposed weekly schedule

1. Introduction to the course
2. Antigone
3. Feminist readings of Antigone for our time
4. Paul, Our Contemporary
5. Roundtable 1: Cross-temporal models of the public intellectual
6. Early Sontag
7. Susan Taubes
8. Roundtable 2: Susan Taubes
9. Writing Workshop: features of the research paper
10. Hannah Arendt
11. Roundtable 3: Women Public Intellectuals (Sontag/Taubes/Arendt)
12. Later Sontag: Regarding the Pain of Others
13. Psychoanalysis, race, and the public intellectual: the case of Afro-pessimism
14. Roundtable 4: Does the Public Intellectual Exist?
15. Conclusion

Required texts

Julia Kristeva, “A New Type of Intellectual: The Dissident.” Trans. Seán Hand. The Kristeva Reader. Ed. Toril Moi. New York: Columbia University Press, 1986. 292–300. Moodle
Sophocles, Antigone. Trans. Robert Fagles. Penguin Classics, 2015. Print: Libreria Cafoscarina.
Paul, “The Second Letter to the Thessalonians.” The Bible, English Standard Version-ESV and King James Version – KJV). Moodle
Badiou, Alain, “Who is Paul?” from Saint Paul. The Foundation of Universalism. Trans. Ray Brassier. Stanford, CA: Stanford University Press, 2003. 16-30. Moodle
Pier Paolo Pasolini, St. Paul: A Screenplay. Trans. Elizabeth A. Castelli. London: Verso, 2014. Moodle.
Adriana Cavarero, “On the Body of Antigone.” In Feminist Readings of Antigone. Ed. Fanny Soderback. New York: State University of New York Press, 2010. 45-63. To read: pp. 45-55, and Conclusion: 59-60. Moodle.
Judith Butler, “Promiscuous Obedience.” In Feminist Readings of Antigone. Ed. Fanny Soderback. New York: State University of New York Press, 2010. To read: pp. 45-55, and Conclusion: 59-60. Moodle.
Arendt, Hannah, “The Public Realm: The Common,” and “Power and the Space of Appearance,” and “Homo Faber and the Space of Appearance.” The Human Condition. Intro. Margaret Canovan. Chicago: The University of Chicago Press, 1998. 50-57; 199-212. Moodle
Susan Taubes, Divorcing. Introd. David Rieff. (New York: NYRB Classics, 2020). Print: Libreria Cafoscarina
S. Sontag, “Notes on Camp.” Against Interpretation. New York: Picador, 2001. 275-292. Moodle
Susan Sontag, “Against Interpretation.” Against Interpretation. New York: Picador, 2001. First ed. 1966. 3-14. Moodle
S. Sontag, “Debriefing.” I, etcetera. New York: Picador, 2002. 33-52. Moodle
Susan Sontag, “Under the Sign of Saturn.” Under the Sign of Saturn. New York: Writers and Readers Publishing, 1983. First published 1980. 109-134. Moodle
S. Sontag, Regarding the Pain of Others. Penguin, 2003. Print: Libreria Cafoscarina
Edward Said, “Speaking Truth to Power.” Representations of the Intellectual. New York: Vintage, 1996. 85-102. Moodle
Marriot, David S. Lacan Noir: Lacan and Afro-pessimism. Palgrave Macmillan, 2021. 120-134. Moodle

Your evaluation, hence your grade in this course, will be based on the following requirements:
• Active participation (weekly readings and roundtable participation)
• a final research paper
• a final oral exam.
The final oral exam will last 30 minutes and will be a conversation. The aim of this conversation is to build on issues raised in your research paper and invite connections with the rest of the course materials. For example, once we establish a connection with a particular text in our course, I will, for example, ask you to offer a close reading of a passage, and your reading, explication, and linguistic analysis will contribute to the evaluation of your oral exam, together with the discussion of your final paper.

Lectures will guide you step by step in the encounter of new materials and the assigned readings for each class. Lecture notes and power points will be made available to you after each class for study and research purposes.

Workshops will teach you about the moves for successful academic writing and will be inspired by Gerald Graff and Kathy Birkenstein’s method: I Say/They Say.

Student-led roundtables are a valuable opportunity for practicing communicative and oral skills. Each roundtable will feature multiple students, with each student offering a very brief presentation raising a point for debate and drawing on the assigned reading. All the readings assigned up to the time of the roundtable are good sources you can draw upon for your presentation. To facilitate you, for each roundtable I’ve proposed a controversial issue that can be addressed from a variety of angles with the help of the course readings. In fact, the ideal roundtable intervention is a short presentation that build on a selected brief passage from one of the readings. The principal aim of the roundtable is to explore further the assigned texts from the students’ point of view, identifying what might be special points of interest for the class community. The implicit aim is of course to spark debate. Roundtables are entirely managed by the students. Students on a particular roundtable will collaborate to ensure that time is managed effectively and that debate is encouraged. Right after your roundtable presentation, each participant will need to hand in a brief written paragraph summarizing his/her contribution.

English

Students who are not able to complete their preparation in class, will hand in a final research paper a few days before the exam (5-7 pp; MLA style) and read 3 additional texts to be chosen freely from the following list of suggested readings:

Barbara Ching, “‘Not Even a New Yorker’”: Susan Sontag in America.” The Scandal of
Susan Sontag. Eds. Barbara Ching and Jennifer A. Wagner-Lawlor. New York: Columbia University Press, 2009. 52-77. Moodle
Michel Foucault, “What is Critique?” The Politics of Truth. Trans. Lysa Hochroth and Catherine Porter. Ed. Sylvère Lotringer. Los Angeles: Semiotext(e), 2007. 41-81. Moodle
bell hooks, “Intellectual Life.” Teaching Critical Thinking: Practical Wisdom. Taylor & Francis Group, 2009. Moodle
Mena Mitrano, “The Public Intellectual.” In the Archive of Longing: Susan Sontag’s Critical Modernism. Edinburgh: Edinburgh University Press, 2016. 50-67. (Moodle)
Mena Mitrano, “What is Critique? Three Types of Indocility.” Literary Critique, Modernism and the Transformation of Theory. Edinburgh: Edinburgh University Press, 2022. 46-67.
Susan Sontag, “Against Interpretation.” Against Interpretation. New York: Picador, 2001. First ed. 1966. 3-14. Moodle
S. Sontag, “Trip to Hanoi.” Styles of Radical Will. New York: Picador, 2002. 205-274. Moodle
S. Sontag, “Fascinating Fascism.” Under the Sign of Saturn. New York: Writers and Readers Publishing, 1983. First published 1980. 73-105. Moodle
Susan Sontag, “Waiting for Godot in Sarajevo.” Where the Stress Falls. New York: Vintage, 2003. 299–322. Moodle

written

This subject deals with topics related to the macro-area "Poverty and inequalities" and contributes to the achievement of one or more goals of U. N. Agenda for Sustainable Development