COMPARATIVE LITERATURE

Academic year
2024/2025 Syllabus of previous years
Official course title
LETTERATURE COMPARATE
Course code
LT1240 (AF:517248 AR:288860)
Modality
On campus classes
ECTS credits
6
Subdivision
Surnames M-P
Degree level
Bachelor's Degree Programme
Educational sector code
L-FIL-LET/14
Period
1st Semester
Course year
1
Where
VENEZIA
The course is part of the LCSL degree course. Aim of the course is to
provide fundamental critical tools for a comparative analysis of literary
texts; to familiarise the students with the theoretical debate on different
possible ways of comparing literary texts, namely: thematic comparative analysis; comparative study of the models of thinking and knowledge
whereby the literary expression is informed; comparative analysis of the
modes of literary representation: styles, genres, poetic diction etc.; to
provide pertinent tools for an interdisciplinary and intercultural reading
of the literary texts.
Knowledge and Understanding.
Knowledge of the fundamental theoretical tools for the comparative
analysis of literary texts. Knowledge of the literary traditions of the
countries in which the studied languages are spoken.
Competence.
Appropriate application of the acquired theoretical knowledge described
above; to methodically develop an interdisciplinary approach to the
subjects of study; to develop theoretical attention to the problem of the
linguistic and cultural transfert of literay texts; to formulate, organise
and develop autonomous research activities connected to the subject of
study; to organise a scientific bibliography pertinently connected to a
specific topic of study.
To develop a personal critical perspective on a specif subject of study and
to debate it publicly.
Abilities.
To improve one’s abilities in scholarly oral and written expression.
The course has no specific requirements.
Course title: LOVE Wounds?/LOVE WOUNDS?
The course deals with the verbal-visual memory of love wounding. In what does love wounding consist?
Francesco Petrarca, Rerum vulgarium fragmenta (Il canzoniere)
Christopher Marlowe, Edward II
John Ford, 'Tis pity she's a whore
William Shakespeare, Titus Andronicus
Sigmund Freud, Jenseits des Lustprinzips (Beyond the Pleasure Principle)
Pedro Almodóvar, La piel que habito
Federico Gracia Lorca, Bodas de Sangre
Federico Garcia Lorca, Sonetos del amor oscuro
The learning will be verified by means of an oral examination, which will focus on the themes, the problems and the texts explored and read in class.
Front lectures. Programmed students’ presentations.
Italian
For students who are unable to complete their classroom preparation by attending lectures, some supplementary texts and materials will be agreed with the professor.
oral
This programme is provisional and there could still be changes in its contents.
Last update of the programme: 15/05/2024