HISTORY OF RUSSIAN ART

The class is scheduled among the interdisciplinary activities in the Master's degree course in Economics and Administration of Arts and Culture (EGART).
The main objective is to provide students with an in-depth knowledge of the development of Russian and Soviet art within a period spanning from WWII to the end of the Soviet Union and the so-called "actually existing socialism" in the early Nineties. A particular emphasis will be given to leading tendencies, personalities and artworks, as well as to the infrastructures of the art system, including exhibitions, collections and the emergence of a Russian art market within the international context in the early post-socialist years.

The course will provide students with an in-depth knowledge of the Russian and Soviet art world in the second half to the 20th century.
The main objective of the course is to enhance individual skills in the following fields:
- to recognize the artworks and artists discussed in class and place them in a broader theoretical, chronological and cultural context
- to develop critical skills and analyze an artwork within its historical context from multiple perspectives, including its technical, iconographic and stylistic features
- to strengthen communication skills and acquire a vocabulary appropriate to the specific context

A basic knowledge of contemporary art history and/or Russian culture is welcome but do not represent a mandatory requirement.

RUSSIAN ART FROM LATE STALINISM TO ITS EMERGENCE IN THE GLOBAL ART MARKET
The course will provide a chronological overview of the arts in the USSR from late Stalinism to the emergence of unofficial Soviet art, on the basis of representative artists, artworks and tendencies.
Classes will focus on the following topics:
- Socialist realism and the severe style
- the emergence of the underground art scene
- Moscow conceptualism
- Sots-art
- the art of perestroika
- the emergence of a Russian art market in the USSR and abroad
- Russian art collections in the USSR and abroad
- the end of the Soviet Union and its impact on the national and international art systems

Notes taken during the lessons.
B. Groys, The Total Art of Stalinism, Princeton University Press, Princeton 1992.

The following texts on moodle:

E. Degot, Official and unofficial art in the USSR: the dialectics of the vertical and the horizontal, in RUSSIA! Nine hundred years of masterpieces and master collections, exh. cat. (Solomon R. Guggenheim Museum, New York, 16 September 2005 - 11 January 2006), Guggenheim Museum, New York 2005, pp. 365-373.

A. Erofeev, Nonofficial Art: Soviet Artists of the 1960s, in Laura Hoptman, Tomáš Pospiszyl (eds.), Primary Documents. A Sourcebook for Eastern and Central European Art since the 1950s, The Museum of Modern Art, New York 2002, pp. 37-53.

B. Groys, Moscow Romantic Conceptualism, in "A-YA", n.1, 1979, pp. 3-11.


Excerpts or chapters from the following texts, to be announced at the beginning of the course:

G. Barbieri, Matteo Bertelé, Silvia Burini S. (eds.), Dream Reality. Viktor Popkov 1932-1974, Terra Ferma, Crocetta del Montello 2014.

V. Tupitsyn, The Museological Unconscious. Communal (Post)Modernism in Russia, The MIT Press, Cambridge-London 2009.

R. Addison, K. Fowle (eds.), Exhibit Russia. The New International Decade, 1986-1996, Museum of Contemporary Art Garage, Moscow 2016.

Non-attending students are required to fully read:
V. Tupitsyn, The Museological Unconscious. Communal (Post)Modernism in Russia, The MIT Press, Cambridge-London 2009

The final grade is given by two components:
1. Active and regular class attendance
2. Assessment of a two-hour written exam, divided into two parts:
- Two artworks, among the ones commented in class and included in the uploaded slides, to be recognised, contextualised and commented.
- Two open questions about artists, artworks and topics presented in class.
The use of books, notes, and electronic media is not allowed during the exam.
Non-attending students are invited to contact me in advance to agree on a specific programme for the written exam.

Lessons open to discussions and commentaries of the works, topics and texts presented in class.
Webinars and talks with selected guests.
Possible visits to exhibitions.
The material presented in class will be available on the Moodle e-learning platform together with additional sources.

English

Students with Special Educational Needs are invited to contact the Inclusivity Service at Ca' Foscari before the beginning of the course.

written

This subject deals with topics related to the macro-area "International cooperation" and contributes to the achievement of one or more goals of U. N. Agenda for Sustainable Development