HISTORY OF THE RUSSIAN CULTURE
- Academic year
- 2021/2022 Syllabus of previous years
- Official course title
- STORIA DELLA CULTURA RUSSA
- Course code
- LM3070 (AF:330666 AR:186331)
- Modality
- On campus classes
- ECTS credits
- 6
- Degree level
- Master's Degree Programme (DM270)
- Educational sector code
- L-LIN/21
- Period
- 1st Semester
- Course year
- 2
- Moodle
- Go to Moodle page
Contribution of the course to the overall degree programme goals
Expected learning outcomes
● This course aims to enable students to gain a general knowledge of the history and significance of Russian/Soviet and Post-Soviet cinema.
● To develop analytical skills, such as analytical thinking, information gathering, and identifying and resolving problems.
● To develop a knowledge of the progress of cinematic techniques from client cinema to the contemporary cinematic forms and the theories developed to explain, enrich and guide the development of these techniques.
● To gain an awareness of the importance of the institutional and political context in which Soviet cinema developed.
● To develop cultural awareness, critical analysis, creative thinking and intellectual independence.
2. Ability to apply knowledge and understanding
● Students will acquire the historical and cultural background that is essential to understand the formation of the history of Russian and Soviet film and of post-Soviet cinema.
● They will demonstrate a basic understanding of the history of Russian and Soviet film and of its role in Russian culture and compare Western and Russian cinema.
● They will gain an awareness of the importance of the institutional and political context in which Soviet cinema developed in the 20th and 21st centuries.
● Students will be able to critically analyse and apply film theory, theory of montage and camera-work. They will also learn how to demonstrate a basic knowledge of key features of cultural and historical analysis of film in target language.
● Students will learn how to use a basic special Russian vocabulary for discussing cinema, how to build a structured and reasoned argument to support ideas about it and evaluate film material, both orally and in writing in Russian.
● Students will be able to interpret historical and cultural contexts of the films.
3. Judgment capacity
● Students will be able to gather, process and evaluate critically information from a variety of paper, audio-visual and electronic sources in the process of preparation for the exam.
● Students will develop a conceptual approach to the cinema.
● Students will develop skills for independent research and the ability to analyse critical texts.
4. Communication skills
● Students will develop key communication skills: effective listening, writing, speaking; verbal and written communication skills as well as oral presentation skills in Russian.
● Students will develop ability to communicate clearly and effectively in oral and written forms (oral presentations) in target language.
● Students will learn how to share and negotiate ideas in a group.
5. Learning skills
● Students will develop skills for independent research and the ability to analyse films, works of leading film-directors, and film genres in their cultural and historical contexts.
● Students will develop conceptual approach to the materials they will be working with and will learn how to provide at the exam substantial proof for the ideas that were developed as a result of their individual research.
● Development of awareness of and engagement with a range of debates and critical (secondary) works on the subject.
● Development of independent film analyses and interpretation.
Pre-requirements
Contents
Referral texts
Filmography:
"The Battleship Potemkin" (Sergei Eisenstein, 1925)
"Mother" (Vsevolod Pudovkin, 1926)
"October" (Sergei Eisenstein, 1927)
"The End of St.Petersburg" (Vsevolod Pudovkin, 1927)
"Man with a Movie-Camera" (Dziga Vertov, 1929)
"Bed and Sofa" (Abram Room, 1927)
"Earth" (Aleksander Dovzhenko, 1930)
"Happiness" (Alexander Medvedkin, 1934)
"Circus" (1936) and "Volga-Volga" (Grigori Alexandrov, 1938)
"Ivan the Terrible" (Sergei Eisenstein, 1944, 1946)
"Andrei Rublev". Parts I & II (Andrei Tarkovsky, 1966)
"Repentance" (Tengiz Abuladze, 1986)
"Burnt by the Sun" (Nikita Mikhalkov, 1995)
"Russian Ark" (Alexander Sokurov, 2002)